
The first song
that we were treated to from Nas’ new album Life
is Good was “Nasty”, just over a year ago. Yes it was great to her some new
solo material from Nasir Jones and it was good that it had an authentic Hip Hop
feel to it – but those were the only good things about it. “Nasty” is only
included on Life is Good as a ‘bonus
track’ and even that is an honour too far for a song that is so bad.
The first real
taste that we got of Life is Good was “Daughters”, a personal tale about fatherhood not so often seen in Hip Hop
music.
“The way mothers
feel for they sons, how fathers feel for they daughters
When he date, he
straight, chip off his own papa
When she date, we
wait behind the door with the sawed off
Cause we think no
one is good enough for our daughters”
The song that
truly set the mood and anticipation for Nas’ tenth studio album was “The Don”.
The song leaked five months after Heavy D’s death and Nas included a nod to the
late rapper & producer “Heavy D gave this beat to Salaam for me to rap to”
– more reason to like this banger!
“Loco-Motive” is
another of the album’s tracks that are, as Nas put it, “for my trapped in the
90’s niggas.” The production and song structure have a 90’s Hip Hop feel
to them, Nas’ flow and raps make it feel even more authentic. Nice.
“A Queens Story” is quite misleading in that it’s not really a story. The song is a
bit more like a sightseeing tour through Queensbridge’s ghettos by Nas. This is
one of the rare occasions on Life is Good when the beat is better than Nas’ bars. I’m sure that Queens natives and their fellow New Yorkers will be able to relate to this song but as a Londoner with not much interest in
taking such a journey, this song wasn’t the most enjoyable.
“Accident Murderers” is Nas’ latest collaboration with Rick Ross after their earlier
poor effort “A Tower Heist”. It is funny that Rick Ross is on this track considering his past as a prison guard. Ross however delivers a show stopping verse and the beat change in his
verse is brilliant. Nas’ last verse
raises some of the harsh truths about gun violence.
“Yo, for my nigga that got killed, got hit up
Vodka spills on the concrete, light a swisha, we miss ya
And for that girl who never made it home, shot in the dome
How they gon’ kill that beautiful sista?
Violent adolescents, homicidal with weapons
Not a lot of knowledge inside of they minds, that I’m guessin’
Tell me who you impressin’?”
Vodka spills on the concrete, light a swisha, we miss ya
And for that girl who never made it home, shot in the dome
How they gon’ kill that beautiful sista?
Violent adolescents, homicidal with weapons
Not a lot of knowledge inside of they minds, that I’m guessin’
Tell me who you impressin’?”
Nas shines on the Anthony Hamilton assisted “World’s An Addiction” and his second verse is the song’s highlight. It is a shame that
after a good run of tracks, “Summer on Smash” pops up and ruins proceedings. “Summer on Smash” is a bad generic ‘summer banger’ and everything about it feels
forced. Swizz Beatz’ chorus is awful, Miguel’s rap verse doesn’t deserve a
place on a Nas album – let alone Justin Bieber’s and Nas struggles to add
anything worthy to this mess.
Fear not as we return to the scheduled programme –
Nas’ lyrical mastery on the Victoria Monet assisted “You Wouldn’t Understand”. Nas addresses some of the harsh truths that pretenders and
wannabes have yet to face up to.
“I know the reason you ain’t make it yet
You say you set, but you ain’t see the tedious ingredients
That go inside of a rider, you hiding from problems and
You never knew how to make dollars
You couldn’t make orders at a drive-through McDonald’s”
You say you set, but you ain’t see the tedious ingredients
That go inside of a rider, you hiding from problems and
You never knew how to make dollars
You couldn’t make orders at a drive-through McDonald’s”
Nas is again lyrically brilliant with rhyme schemes
and loads of detail on “Stay”. Nas speaks of keeping your friends close and
your enemies closer. No I.D.’s production on this is brilliant, the perfect
platform for Nas’ bars.
“I don’t like you near bruh,
but I need you to
Stay”
but I need you to
Stay”
On “Cherry Wine” Salaam Remi’s production Nas’ lyrics and Amy Winehouse’s
vocals are on point. It is a shame that Amy won’t be around to give us more gems
like this.
Nas speaks openly & honestly about his marriage
& divorce with former wife Kelis on the album’s final track “Bye Baby”. The
song is also linked to Life is Good’s
artwork which features Nas sat with Kelis’ wedding dress. The significance being
that it was the only item Kelis left after removing all her stuff from their shared home. Deep.
“No Introduction” and “Reach Out” which features Mary
J Blige are both nothing more than average and much like “Summer on Smash”, listening
to any of these songs is not the best way to spend four precious minutes of
your life.
HIGHS
“Daughters”
“You Wouldn’t Understand”
“The Don”
“Stay”
“Cherry Wine”
“Bye Baby”
LOWS
“No Introduction”
“Reach Out”
“Summer On Smash”
HIGHS
“Daughters”
“You Wouldn’t Understand”
“The Don”
“Stay”
“Cherry Wine”
“Bye Baby”
LOWS
“No Introduction”
“Reach Out”
“Summer On Smash”
Anyone that hadn’t heard Nas’ verse on Rick Ross’ “Triple Beam Dreams” or Nicki Minaj’s “Champion” may have doubts as to whether Nas has
still got it. Life is Good reaffirms why
Nas is widely hailed as one of the best rappers of all time. When Nas is in
full flow it is something to be awe of and enjoyed. The rare occasions when Nas
strays from his comfort zone on the album, are uncomfortable to listen to. Is
it as good as Illmatic? Is it the
best album of the year? No and no! There are enough good tracks and brilliant tracks (the latter of which are above under ‘highs’) on this album
to ensure enough replay value to last the next two to four years until Nas
releases a follow up.
To view a guide to Best In New Music’s Album review rating system click here.
Rating:
To view a guide to Best In New Music’s Album review rating system click here.
Rating: